I've missed ZZ Top at their last visit France, I shall never see Oasis live or Midnight Oil, Deep Purple, therefore, I did not want to miss the boat. As they had the right to come Odee occur at depths of Brittany (things change, the usual concerts that interest me are going to Paris), hop, hop, I took my ticket, and I patient about 8 months.
I spend on technical details, let's just say the room (full) was well calibrated, neither too large to avoid being too far nor too small that we had the place all go. The audience was quite diverse. Obviously, the average age was rather high, but I also saw students, teenagers (only, not the kids who accompanied their parents).
Part I discovered an unknown guitarist in my battalion, Philip Sayce. How to say ... mostly blues rock style, a huge game scene, compositions rather well done with original riffs and passages that I found really interesting and well done for, but, but, but ... a true lumberjack on his guitar, the finesse of a herd of bison galloping through short, a big nag. That said, he managed to capture much public attention, and it is already well (usually the first parts, everyone who cares and does not even listening).
Then stepped in TEA group than everybody expected, that starts pretty strong with Highway Star. I saw that I had chosen my place in the pit before Steve Morse. Course followed a playlist full of classics (Lazy, Hush, Smoke on the inevitable water at the end of the set) but also pieces higher (Rapture of the Deep). Steve Morse and Don Airey exchanged long instrumental parts. The latter, moreover, must have blocked the counter in 1969 because they were inspired by the psychedelic solos purest. Unless, of course, when he began to play Mozart and Tchaikovsky ...
Ian Paice and Roger Glover are still as solid squares and pros. It should be noted nevertheless that the camera was responsible for filming Ian Paice put little value on its belly on the big screens!
And then there's Steve Morse. Love. This guy was smiling all the time the concert, he plays like a god, Briefly, a guy who makes you hate to have wanted to one day put you on the guitar, you'll never seen such a level. The instrumental part he played was simply splendid, magnificent, moving, technique, lyrical, short, concentrated emotion. I almost had tears in my eyes. See a guy who does not move half of the beefy part, but sends power timber 12, and always with that look humble, it feels good. On my personal pantheon of guitarists, this type has largely his place.
The only downside of the evening came from Ian Gillian, we guessed tired. His voice is always amazing, but unfortunately he lost a fish. So, exit Child in time, it should no longer be able to sing now, too bad.
Go, a video a few poor what happened during the live of Dijon, but it represents very well what we have lived.
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